This work investigates puddles as transient formations that act as both archive and resonance body. The work takes photographic recordings of these ephemeral micro-waters as its point of departure and translates them into sculptural photo objects. Through enlargement, cutting and material transformation, the images are detached from a purely docu- mentary function and re-enter space as situated fragments that include parts of their immediate surroundings.
Glossy, slightly domed surfaces echo the optical qualities of water, pro- ducing effects of reflection, translucency and depth. Installed on the floor, the work remains close to the ground, shifting the act of looking from a frontal to a bodily, spatial experience.
Rather than preserving a moment, the work focuses on what remains after disappearance: traces, residues, inscriptions. Landscape is appro- ached not as a stable backdrop but as a constructed condition shaped by framing, scale and material decisions.